“One often hears that to understand a work of art one needs to know its historical context. Against this historicist commonplace, a Deleuzian counter-claim would be not only that too much of a historical context can blur the proper contact with the work (i.e., that to enact this contact one should abstract from the work’s context), but also that it is, rather, the work of art itself that provides a context enabling us to understand properly a given historical situation.”
yes, yes, yes!
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